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London-based photographer Walter Zak is turning heads and peeling back layers—literally and metaphorically—with his ongoing “boys” series.

Born April 4, 1985 on a farm in Arlington, Texas, Hall's first brush with fame came as a contestant on the ninth season of "American Idol" (Fox, 2002-2016), during which he reached the semi-final rounds in 2010 before being voted out of the competition. Memoirs of a Geeza, Dungarees, Clothes and Blow, My Sweet Prince. When the exposure afforded by the series failed to generate any stardom, Hall returned to Texas, where he began writing and directing in offbeat musical videos for YouTube.

I had an inkling of the selfless act that would happen before it was made clear. It’s masculinity as lived, questioned, and quietly adored.

For the LGBTQ community, projects like Zak’s are more than aesthetic—they’re affirmational. The NSFW project is a moody, intimate, and sometimes stark exploration of masculinity that challenges the rigid norms of what a man is “supposed” to look like.

A pretty erotic set of circumstances leading to a denouement that I should have seen coming - the religious are often twisted. We Are Dancers and L'Homme Jetée. But don’t expect hyper-polished male models flexing in oil—his vision leans more toward the gentle chaos of real life. Through his lens, Zak captures moments of raw emotion, stillness, and beauty, often featuring men in various states of undress—but always fully clothed in vulnerability.

Zak, who cut his teeth in fine art before pivoting into fashion, beauty, and still-life photography, brings that same artistic eye to his portraiture.

The films presented here were very variable in quality, storylines and acting ability.